NAME | TITLE | Symp |
ABREU SIMÕES de | RATIONALE | 10 |
ABREU SIMÕES de | Southern Europe: recent discoveries of Post-Palaeolithic Rock Art in Portugal | 14 |
ALVAREZ | How were the images made? Finding the artifacts in connection to engraving techniques. An experimental program | 9 |
ARCÀ | Iron Age petroglyphs found in Valcenischia (Italy) | 14 |
ARCÀ | The settled ground in the "topographic" engravings of the Alpine Arc | 2 |
ARSENAULT | Sacred versus Profane: Studying a Pictograph-Site in the Context of Native Territorial Dispute and Religious Revival | 7 |
ARSENAULT | Studying a pictograph-site in the far-eastern Canadian Shield: the Nisula Project 1992-95 | 14 |
AVNER | Circles, Triangles and Lines in Archaeological Remains and Rock Engravings, and Their Interpretation | 2 |
AYALA JUAN | Aportaciones artisticas de la cultura del Argar en Murcia. España | 12 |
BACHECHI | Nuove incisioni rupestri in Etiopia meridionale | 14 |
BAFFIER | Pictures of the Grande Grotte in Arcy-sur-Cure (Yonne, France): studying techniques | 1 |
BAHN | RATIONALE | 14 |
BAHN | New developments in Pleistocene art, 1990-1994 | 14 |
BALBÍN BEHRMANN | Southern Europe, Post-Palaeolithic Art in Spain: state of the issue | 14 |
BANG-ANDERSEN | The Rock Art of Rogaland, SW-Norway: composition, consideration, conservation | 6-8 |
BARAZA DE FONTS | Petroglyphs in the province of Tucuman (north-western region of Argentine) | 15-16 |
BARINOVA | To the question of the chronology of the petroglyphs at the Tom river (west Siberia) | 11 |
BARRAL | Purpose of the engraved slabs of Merveilles (Tende, Alpes-Maritimes, France) | 10 |
BASSO PERESSUT | The rupestrian engravings of Mount Bego and Clarence Bicknell's work | 5 |
BAVASTRELLI | The state of conservation of rock art in Addaura's caves (Palermo) | 6-8 |
BEAUX | Histoire des relations entre fouilles archéologiques et gravures rupestres dans le Massif de Fontainebleau | 9 |
BEAUX | Pétroglyphes, archéologie et histoire en Briançonnais (Hautes-Alpes) | 9 |
BECKENSALL | A holistic approach to rock art | 1 |
BEDNARIK | A unified theory for Paleoart studies | 1 |
BEDNARIK | RATIONALE | 1 |
BEDNARIK | Rock Art and deontological theory | 7 |
BEDNARIK | Analyses of Côa Valley Petroglyphs | 10 |
BEDNARIK | The Digitised Re-Constitution of Rock Art Colour Recordings | 10 |
BELTRAN | Ideas tradicionales sobre la cronología y significación del arte rupestre | 12 |
BELTRAN | RATIONALE | 12 |
BHATTACHARYYA | Communication through rock art | 2 |
BLAIN | Les Gravures Rupestres et l'expression Mégalithique | 15-16 |
BLYSTONE | Rock art: a postmodern perspective | 2 |
BOSCOLO | RATIONALE | 4 |
BOUISSAC | RATIONALE | 2 |
BREEN MURRAY | Recent Rock Art research in Mexico and Central America | 14 |
BRUNOD | Iconografia delle Stele - Menhirs: una nuova interpretazione | 1 |
BRUNOD | L'archéologie de la Valcamonica et les découvertes de Giovanni Marro par la presse de l'époque | 10 |
BUENO RAMIREZ | Southern Europe, Post-Palaeolithic Art in Spain: state of the issue | 14 |
CAIRNS | Sydney Rock Carvings and Astronomy | 15-16 |
CALZATO | Arte y topografía: algunas manifestaciones rupestres de Cerro Colorado, Córdoba, Argentina | 14 |
CAMETTI | Iron Age petroglyphs found in Valcenischia (Italy) | 14 |
CHAKRAVARTY | The Judaeochristian teleology and rock art taxonomy | 15-16 |
CHESNEY | An open letter to my colleagues | 1 |
CINQUETTI | International Rock Art Form: a proposal for a unified instrument of work | 10 |
CLEGG | Rock art records, recording, types and classes | 10 |
CLEGG | Tracks and lines: a "new" almost anything to study in rock art | 13 |
CLOTTES | RATIONALE | 12 |
CODEBÒ | Archaeo-astronomical hypotheses on some ligurian engravings | 1 |
COIMBRA | The Swastika in rock art in the north-west of the Iberian peninsula: proposal of interpretation | 2 |
COÏSSON | Cronologia delle scoperte di incisioni rupestri in Italia del nord | 10 |
COLE | Laura revisited. A review of models of chronological change for the rock art of the Laura region in the light of results of direct dating | 1 |
COMBA | INTRODUCTION | 15-16 |
COMBA | Some notes on the Nanaimo Rock Art site and Vancouver Island ethnography | 15-16 |
CONNICK | Christian Manifestations in American Indian Rock Art | 15-16 |
CORETTI | Prehistoric rock art and the artists. What did they mean | 2 |
D'ARRAGON | Comparisons of Engraved Anthropomorphic Figures in the Alps and Sardinia | 12 |
D'ARRAGON | Methodological Consideration for Recording Petroglyphs on Medium and Large Surfaces | 10 |
DAVID | New AMS determinations for Chillagoe rock art, Australia, and their implications for northern Australian prehistory | 1 |
DAYALAN | Rock Art and Archaeological Excavation in Tamil Nadu | 9 |
DE CEUNINCK | Les Pétroglyphes du Fujairah (Emirats Arabes Unis) | 14 |
DE COLA | Image Processing:"Pulizia Elettronica" (P.E.) of Rock Paintings and Carvings | 10 |
D'ERRICO | RATIONALE | 1 |
D'ERRICO | Reduction sequences of colorant materials at the rock art site of Santa Elina (Mato Grosso, Brazil) | 1 |
DEVARAJ | Rock paintings in Tamil Nadu (India) | 9 |
DI FRANCO | The state of conservation of rock art in Addaura's caves (Palermo) | 6-8 |
DI VINCENZO | Addaura Cave a sacred place | 2 |
DUBAL | TACTIGRAPHY: a new method for recording Rock Art engravings | 10 |
DUBAL | The LA B R Y S symbol, initiatic or sacrificial? | 2 |
DUBELAAR | South America: Rock Art research in the Caribbean Islands during 1990-1994 | 14 |
DUBOURG | Naturalism in the graphic art of the Upper Palaeolithic and the Metal Ages; comparative approach and deductions | 1 |
EHRET | Who were the Rock Artists? Identifying the Holocene populations of the Sahara | 13 |
FAGNOLA | "Un nuovo approccio di ricerca sul rapporto tra la pittura Sahariana del periodo delle teste rotonde e sostanze allucinogene | 13 |
FALESCHINI | Gli ovoidi enigmatici | 13 |
FARADJEV | Metaphysical opportunities as a tool of rock art research | 1 |
FARADJEV | RATIONALE | 11 |
FEDELE | Copper Age stelae and archaeological context: excavations at Ossimo, Val Camonica (Italian Central Alps) | 9 |
FEDELE | INTRODUCTION | 9 |
FEDELE | RATIONALE | 9 |
FERNÁNDEZ DISTEL | RATIONALE | 15-16 |
FERNÁNDEZ DISTEL | Christian rock engravings: ancient gravestones at cemeteries in northwestern Argentina | 15-16 |
FIERRO | The rupestrian engravings of Mount Bego and Clarence Bicknell's work | 5 |
FIORE | How were the images made? Finding the artifacts in connection to engraving techniques. An experimental program | 9 |
FIORE | The economic side of rock art. A contribution to another analytical approach | 1 |
FIRPO | The rupestrian engravings of Mount Bego and Clarence Bicknell's work | 5 |
FLOOD | Copying the Dreamtime: anthropic marks in early Aboriginal Australia | 1 |
FORNI | Evolution et typologie de l'araire préhistorique dans les gravures rupestres alpines | 15-16 |
FOSSATI | RATIONALE | 14 |
FOSSATI | Southern Europe: Rock Art in the Alps, Italy and the Balkans 1990-1994 | 14 |
FRANKLIN | Rock Art in Australia and New Guinea: research, management and conservation | 14 |
GAGNON | Sacred versus Profane: Studying a Pictograph-Site in the Context of Native Territorial Dispute and Religious Revival | 7 |
GARCÍA | Lime and Blood. The art of the Elders (Ethnoarchaeology at Azul Pampa - Jujuy province) | 7 |
GARYAEVA | The Rock Art of Northern Eurasia | 14 |
GATTI | La nascita dell'arte | 2 |
GATTIGLIA | Giotto, la mimesi e i petroglifi | 2 |
GAUTHIER | Documents rupestres et monuments du Fezzan occidental et leur relation avec ceux du Messak (Libye) | 13 |
GAVAZZI | Games in stone: Cervo and Oropa Valleys (Biella, Italy) | 15-16 |
GAVAZZI | Games in stone: the Sanctuary of Acquasanta (Genoa, Italy) | 15-16 |
GAVAZZI | Rock art and rock artists around Biella in the nineteenth century | 15-16 |
GHOSH | Communication through rock art | 2 |
GIARRUSSO | The state of conservation of rock art in Addaura's caves (Palermo) | 6-8 |
GIRARD | Pictures of the Grande Grotte in Arcy-sur-Cure (Yonne, France): studying techniques | 1 |
GIUGGIOLA | Interpretazione di incisioni schematiche astratte | 2 |
GIUSTO MAGNARDI | Les gravures historiques linéaires des vallées de Fontanalbe et des Merveilles, Tende, Alpes-Maritimes | 12 |
GODWIN | RATIONALE | 6-8 |
GRISERI | Rock art in Alta site (Norway) | 14 |
GUARALDO | RATIONALE | 15-16 |
GUARALDO | The Piedra de los Animalitos at La Martinica, Veracruz, Mexico: a rural sacrificial stone? | 15-16 |
GUTIERREZ | Sub Saharan Africa: the Rock Art of Angola | 14 |
GUY | Introduction à une grammaire des formes dans l'art figuratif paléolithique occidental | 2 |
HAMEAU | Pierres a cupules: un autre mode d'approche | 1 |
HEAD | New AMS determinations for Chillagoe rock art, Australia, and their implications for northern Australian prehistory | 1 |
HEDDEN | A Methodology for Relative Dating of Prehistoric Petroglyphs on Tidal Rocks | 10 |
HEESE | The use of optical disks for the storage of images: a case study and its implications in the context of rock art | 10 |
HEYD | Rock Art and the Aesthetic Appreciation of Natural Landscapes | 15-16 |
HICKMANN | RATIONALE | 3 |
HICKMANN | Rock Art and Music Archaeology - an introduction | 3 |
HUA | New AMS determinations for Chillagoe rock art, Australia, and their implications for northern Australian prehistory | 1 |
HYDER | North American Rock Art Research 1990-1994 | 14 |
HYGEN | Preservation problems concerning Rock Art in the County of Østfold, south-east Norway | 6-8 |
JACOBSEN | New AMS determinations for Chillagoe rock art, Australia, and their implications for northern Australian prehistory | 1 |
JAFFE | Southern Europe: recent discoveries of Post-Palaeolithic Rock Art in Portugal | 14 |
JIMENEZ GONZALEZ | Archaeological rock art stations from Tenerife (Canary islands) | 13 |
JOHNS | Three Vs in two Ms | 4 |
KHAN | RATIONALE | 2 |
KHAN | Rock Art Research in the Arabian peninsula, Levant and Anatolia | 14 |
KHAN | Wusums - the symbol of Bedouin ingenuity | 2 |
KOLBER | Volunteer Rock Art recording in Arizona, USA | 10 |
KUMAR | Petroglyphs in the rock art of Chambal valley and Aravalli hills: a new phenomenon | 14 |
LACOMBE | Line markings as systems of notation? | 1 |
LAWSON | New AMS determinations for Chillagoe rock art, Australia, and their implications for northern Australian prehistory | 1 |
LE QUELLEC | "Chasseurs" et "Pasteurs" au Sahara: les "Chasseurs archaïques" fezzanais chassés du paradigme | 13 |
LE QUELLEC | A Saharan example in rock-art symbolism: the engraved "ovaloids" of the Messak, SW Fezzan (Libya) | 2 |
Le QUELLEC | Préface | 13 |
LE QUELLEC | RATIONALE | 13 |
LEE | Rock Art Of Polynesia | 14 |
LEMAITRE | The rock art of Quebec - past, present and future | 11 |
LENSSEN-ERZ | The empiricism strikes back: textual analyses of Namibian rock paintings regarding the role of women | 1 |
LESCA | Méthodes pour la documentation des pétroglyphes | 10 |
MACHU | Les gravures populaires d'armes et a caractère militaire de la région du Mont Bego | 15-16 |
MANDL | Depictions of nine men's morris on rock in the northern part of the Kalkalpen | 15-16 |
MARANGOU | Gravure rupestre dans le port de Myrina, île de Lemnos | 12 |
MARCHI | The Cave Paintings of Modjodje-Do (Republic of Mali) | 14 |
MARCHI | The Rock Art of Aire Soroba (Republic of Mali) | 14 |
MAROSTICA | Primitive art: a semiotic approach to Diaguita petroglyphs | 2 |
MARTYNOV | Rock images of the ancient sanctuary Saimaly-Tash | 11 |
MARTYNOVA | The first Siberian archaeological museum-preserve: Tomskaya Pisanitsa | 11 |
MASAO | The distribution of rock art sites and meaning: the case of Central Tanzania | 14 |
MAS-CORNELLÀ | Naturalism and schematism in the post-palaeolithic rock art of the southern Iberian peninsula | 1 |
MATHPAL | Indian Rock Art today | 14 |
MATHPAL | RATIONALE | 5 |
MATHPAL | Using drawing talent for collection of rock art samples for museums | 5 |
McKITTRICK | Rock Art in Honduras | 14 |
MEIRANO | Iron Age petroglyphs found in Valcenischia (Italy) | 14 |
MESHKERIS | Musical phenomena of convergence in Eurasian Rock Art | 3 |
MESHKERIS | Rock Art On Pictures by N. Roerich | 15-16 |
MONTANA | The state of conservation of rock art in Addaura's caves (Palermo) | 6-8 |
MOORE | The Modern Technological Smoke Screen | 10 |
MURRAY | Recent Rock Art research in Mexico and Central America | 14 |
MUZZOLINI | Northern Africa: some advances in rock art studies | 14 |
MUZZOLINI | Préface | 13 |
MUZZOLINI | Rationale | 13 |
NARAYAN | Rock art of Bhimbetka and archaeological excavation: a compact-brief study | 9 |
OLIVEIRA JORGE | INTRODUCTION | 9 |
OLIVEIRA JORGE | RATIONALE | 9 |
OTTE | Origine de l'art paléolithique | 2 |
OTTE | Regards sur la musique paléolithique | 3 |
PALMENTOLA | The rupestrian engravings of Mount Bego and Clarence Bicknell's work | 5 |
PATTERSON RUDOLPH | American Indian Pictography in Semiotic Terms | 2 |
PATTERSON RUDOLPH | The Importance of Songs in Native American Culture: Song Signatures in Native American Prehistoric Art | 3 |
PATTERSON RUDOLPH | "The Yellow Women" Prehistoric Kachina Mask Paintings of the Keres | 15-16 |
PÉREZ SIRVENT | Aportaciones artisticas de la cultura del Argar en Murcia. España | 12 |
PIA | East Bolivian ancient rock art related with present ayoreos | 15-16 |
PIA | Myths, shamans and drugs in the ancient rock art of South America | 15-16 |
PIA | The Bolivian orient new discoveries | 14 |
PIZZORUSSO | Leonardo's Geology: The Authenticity of the Virgin of the Rocks | 15-16 |
PODESTÁ | South America: yesterday and today in Argentina's rock art | 14 |
PREISSER | Archaeologists, Mass-Media and the Public | 4 |
PRINS | Subsaharan Africa, the state of the art: rock art in southern and tropical Africa the last five years | 14 |
PROUS | South America: recent studies on Rock Art in Brazil | 14 |
QUEREJAZU LEWIS | El Arte Rupestre en la colonia (Bolivia) | 15-16 |
RICCHIARDI | An archaeo-anthropological pattern for European Post-Palaeolithic Rock Art | 15-16 |
RICCHIARDI | Signs and Monuments to Christian Conversion in Western Alpine Rock Art | 15-16 |
RICCHIARDI | International Rock Art Form: a proposal for a unified instrument of work | 10 |
ROCCHIETTI | El Arte Rupestre y la visibilidad de la cultura: el caso del Cero Intihuasi (Departamento de Río Cuarto, Provincia de Córdoba, República Argentina) | 15-16 |
RODRÍGUEZ | The rock art of Quili Malal, Neuquén, Argentina. Description | 14 |
ROSSI | Giotto, la mimesi e i petroglifi | 2 |
ROSSI | INTRODUCTION | 9 |
ROSSI | Méthodes pour la documentation des pétroglyphes | 10 |
ROSSI | Pétroglyphes, archéologie et histoire en Briançonnais (Hautes-Alpes) | 9 |
ROSSI | RATIONALE | 9 |
ROWE | New AMS determinations for Chillagoe rock art, Australia, and their implications for northern Australian prehistory | 1 |
ROZWADOWSKI | Rock art and the ethnicity: Semiotic system as an ethnic marker | 2 |
RUSSAKOVA | To the question of the chronology of the petroglyphs at the Tom river (west Siberia) | 11 |
RUSSELL | Learning from curves: the female figure in palaeolithic Europe | 1 |
SALIH | L'art rupestre du Maroc: essai de synthèse | 1 |
SANDLAND | The Use of non-iconical Symbols in Nordic Bronze Age Rock Carvings and an approach to the decoding of some of them | 2 |
SANTIANO | RATIONALE | 5 |
SAUVET | Towards a Formal Grammar of the European Palaeolithic Cave Art | 1 |
SCHERZLER | Archaeologists, Mass-Media and the Public | 4 |
SEARIGHT | 'Tazina': a label too widely used to be useful | 13 |
SEGLIE | An archaeo-anthropological pattern for European Post-Palaeolithic Rock Art | 15-16 |
SEGLIE | Signs and Monuments to Christian Conversion in Western Alpine Rock Art | 15-16 |
SEGLIE | International Rock Art Form: a proposal for a unified instrument of work | 10 |
SEGLIE | Rock Art and perception: Bio-Cultural synergies and diffusion in conservation | 1 |
SHARPE | Line markings as systems of notation? | 1 |
SHER | The Rock Art of Northern Eurasia | 14 |
SHUMKIN | Monumental art of eastern Lapland as a historical record | 11 |
SIMONE | Purpose of the engraved slabs of Merveilles (Tende, Alpes-Maritimes, France) | 10 |
SOGNNES | From coast to mountain range: rock-art at Nordmøre, Norway | 11 |
SOGNNES | RATIONALE | 11 |
SOGNNES | Recent Rock Art Research in Northern Europe | 14 |
SOLEILHAVOUP | L'Art Rupestre dans la nature: éthique de la recherche et éducation au patrimoine | 7 |
SOLEILHAVOUP | RATIONALE | 7 |
SOM | Ethnography of Rock Art Tradition | 15-16 |
SONAWANE | Symbolism of the engraved design on the mesolithic core of Chandravati, India | 2 |
SRISUCHAT | Rock Art News from South-East Asia | 14 |
STOLYAR | Neolithic rock art of Karelia: the problem of its historical mission | 11 |
STRECKER | South America: Bolivian Rock Art | 14 |
STRECKER | South America: introduction to South American Rock Art studies | 14 |
SWARTZ | RATIONALE | 10 |
SWARTZ, Jr. | An Evaluation of Rock Art Conservation Practises at Foz Côa, Northern Portugal | 10 |
SWARTZ | Petroglyphs Ignored or Never Seen | 10 |
TONON | RATIONALE | 5 |
TRATEBAS | Using statistics to reach beyond subjective analysis of rock art data | 1 |
TUDELA SERRANO | Aportaciones artisticas de la cultura del Argar en Murcia. España | 12 |
TUNIZ | New AMS determinations for Chillagoe rock art, Australia, and their implications for northern Australian prehistory | 1 |
TZONOU | Bronze Age Cycladic Petroglyphs | 3 |
ULMER | Archaeologists, Mass-Media and the Public | 4 |
VALENCIA | Recent Rock Art research in Mexico and Central America | 14 |
VILHENA VIALOU | Reduction sequences of colorant materials at the rock art site of Santa Elina (Mato Grosso, Brazil) | 1 |
VYAS | Rock art of Bhimbetka and archaeological excavation: a compact-brief study | 9 |
WATCHMAN | AMS Radiocarbon Dating of Accretions Directly Associated with Foz Côa Petroglyphs, Portugal | 10 |
WATCHMAN | RATIONALE | 6-8 |
WEI RONSHENG | Yunnan Rock Art - A most important part of China rock culture | 14 |
WLODARCZYK | Towards a Formal Grammar of the European Palaeolithic Cave Art | 1 |
WOODHOUSE | Subsaharan Africa, the state of the art: rock art in southern and tropical Africa the last five years | 14 |
WYRWOLL | Dating Rock Art by Means of Lichenometry | 10 |
WYRWOLL | Die anthropologische Gruppenzugehörigkeit der saharischen Felsbildkünstler | 13 |
WYRWOLL | Game species and the „index fossil" dating of Saharan rock art | 13 |
XIUHUA | A Valuable Legacy of China's Petroglyphs. A Preliminary Survey of the Aesthetic Value of Helanshan Petroglyphs | 14 |
YODER | Computerised Management of Rock Art Records | 10 |
YOSHIDA | Japanese Rock Art | 14 |
ZHAO FU | Rock Art studies in the Far East during the past five years | 14 |
ZILHÃO | Petroglyphs of palaeolithic art style in the Côa Valley are Also of palaeolithic Age | 10 |
ZÜCHNER | Mediterranean elements in the schematic art of Spain | 12 |
ZÜCHNER | Oukaimeden and Yagour seen from Europe | 13 |
Browsing notes 
List of Contributors
Authors' Index
Photo Gallery